American Angels (2003)

Anonymous 4

American Angels is the diary of our journey to the roots of Anglo- American spiritual vocal music. It includes songs of redemption and glory spanning the years from the American Revolution to the present day: eighteenth-century psalm settings and fuging tunes from rural New England, nineteenth-century folk hymns and camp revival songs from the rural South, and gospel songs originating in Northeastern cities and adopted in the late nineteenth century by rural Southerners. Each of these musical styles has played its own part in an interweaving of oral and written traditions, in which favorite older tunes have survived and flourished from one generation to the next. We love the fact that these tunes have been treasured by so many others before us. They have been printed again and again in the tunebooks, and imprinted on the memories of generation after generation of singers, who continue to sing them at singing conventions, in worship services, and in many other settings.

The story of the rural American sacred music featured in American Angels opens with the attempts of certain eighteenth-century colonists to “improve” upon the lining out of psalms. In this practice—the main musical worship practice in the Colonies at the time— a deacon read out a line of text, the congregation responded by singing it, the deacon read out another line of text, and so on. How did those in favor of replacing the “old way of singing” with “regular singing” accomplish their goal? With the introduction of the singing school, where students practiced singing the octave scale with European solmization syllables, ??fa-sol-la-fa-sol-la-mi-fa, and learned to sing music composed in three and four parts. The singing school acted as a primary means of teaching and disseminating music in New England during the eighteenth century.

The musical settings of psalms and hymns taught in the earliest singing schools and published in the first colonial American tunebooks were imported from England. But by the late eighteenth century, New England tunesmiths—singing school masters who had themselves attended the singing schools—had started to make their own contributions. Many of them compiled their own tunebooks, which they sold to singing school students in each town they visited. They were at first greatly influenced by the English composers of their day, but soon the sound of their compositions began to reflect their rural American origins. Most frequently taking their texts from the English poet Isaac Watts, the New Englanders wrote pieces intended both for worship and for artistic expression. They favored among other styles four-part homophonic settings of psalms, such as Poland and Amanda, and fuging tunes featuring both homophonic and imitative sections, such as Blooming Vale. In both forms, the tenor line holds the tune, but the other three voices carry equally strong, independent, melodies.

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Anonymous 4

Renowned for their unearthly vocal blend and virtuosic ensemble singing, the four women of Anonymous 4 combine historical scholarship with contemporary performance intuition to create their magical sound. Their programs have included music from the year 1000; the ecstatic music and poetry of the 12th-century abbess and mystic, Hildegard of Bingen; 13th-century chant and polyphony from England, France, and Spain; American folksongs, shape note tunes, and gospel songs; and works newly written for the group. Anonymous 4 has performed for sold-out audiences on major concert series and at festivals throughout North America, Europe, Asia, and the Middle East; and has made 19 best-selling recordings for harmonia mundi usa.

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American Angels (2003)

Anonymous 4

    Redludwig.com,

“Anonymous 4 brings to each piece a simple grandeur and eloquent expression that allow the music to live and breathe with authenticity and emotion. As their parallel harmonies unfold...they break, at times, into a lilting slurred note that could have come right out of Appalachia. It is the sound of music - and musical traditions - reaching out across the centuries to each other.”

Ingrid Thorson

    Tedeum.com

“This is a phenomenal recording. Music just doesn't get any better than this.”

    Orange County Register

"In worship services, these American spirituals provided a sense of community; in this recording, they're reinvented as history and art. "

Devon Glenn

    San Francisco Chronicle

The conviction and craft of the singers soon prove as tonic as a good sermon and as comforting as a well-made quilt. An early setting of "Amazing Grace" has an innocent, unpolished beauty. The psalm tune "Amanda" is exquisitely sad. The mobile lines of "Poland" weave together with an air of sweet inevitability.

Steven Winn

    Pittsburgh Post Gazette

Anonymous 4's straight, vibrato-less tone transfers fluidly from medieval to American folk style, and, as usual, their blend and intonation is flawless ... erudite and entertaining."

Eric Haines

    Audiophile Audition

This album is highly successful, and highly recommended.

    Billboard Chart

#1 Top Classical Chart

    Fanfare

This disc shows how high art can exalt simple music. It's a delight...

J.F. Weber

    The WholeNote

These early American hymns take on a beauty that resembles the idyllic shores beyond the river Jordan.

    WYSO Radio

You'll be warmed and uplifted by the, yes, angelic harmonies and heartfelt expression...another entertaining, enlightening musical journey from our own American Angels.

    The Wall Street Journal

A stunning gift of old-time Americana

    Green Man Review

Listen up, America, these women can SING!

    Sing Out!

All twenty tracks are beautiful.

    Billboard

“The quartet offers up a stunning disc of old-time Americana: 18th-century psalm settings, 19th-century shape-note songs, camp revival hymns and famous gospel tunes. As ever, the group’s purity, sweetness and joy are transfixing, whether in the haunting folk hymn ‘Wayfaring Stranger’ or in two unusual settings of ‘Amazing Grace.’ For sheer radiance...no one else comes close to these angels.”

Anastasia Tsioulcas

    Barnes & Noble

‘Angel Band,’ the final track, doesn’t sound all that far removed from the earthy righteousness of the Stanley Brothers' classic rendition -- and what higher praise can one give?”

Andrew-Farach-Colton

    The Irish Echo

“Anonymous 4...succeeds in making this great hymn of faith their own. These four talented artists have raised their voices to champion what's best and brightest about America's own diverse, deep tradition of sacred music. ‘American Angels’ is another benchmark in a 17-year career full of them.”

Earle Hitchner

    Christian Science Monitor

This recording of American hymns and gospel tunes from rural 18th and 19th century New England and the South is a sweet parting gift. Angels traces in song the spiritual path from hope to glory with soul-stirring purity.”

Gregory M. Lamb

    The Absolute Sound

[Anonymous 4] have devoted their entire career to music with a spiritual content, and the results are absolutely convincing. The singing is beautifully shaped, heartfelt and stylistically apt...

Andrew Quint

    The Plain Dealer

In every piece, they maintain a beautiful blend and a rapturous feeling.

Wilma Salisbury

    Harper's BAZAAR en Español

These four women reaffirm that the human voice is the most beautiful musical instrument. Anonymous 4 recreates with spirituality the sacred music of the New England.

    The Buffalo News

...damned if they don't convince you before this recital of Songs of Hope, Redemption and Glory" that they're the American Angels the title says they are."

Jeff Simon

    Classics Today

Wondrous Love, Resignation, Sweet By and By, Shall we gather at the river, Parting Hand, Amazing Grace, etc.--you've never heard it so sweet, pure-voiced, vibrant, and sincere as here."...one more round of applause for yet another entertaining, enlightening musical journey from our own American Angels."

David Vernier

    Billboard

"A stunning disc of old-time Americana" -

American Angels (2003)

Anonymous 4

Digital Converters: Meitner DSD AD/DA
Mastering Engineer: Brad Michel / Dann MIchael Thompson (DSD)
Recording Engineer: Brad Michel
Recording location: Skywalker Sound, California, USA
Recording Software: Pyramix
Recording Type & Bit Rate: DSD64

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HMU907326: American Angels
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Tracks.
1.
INVITATION - Holly Manna
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INVITATION - Abbeville
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INVITATION - Wondrous Love
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INVITATION - Sweet Hour of Prayer
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GRACE - Jewett
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GRACE - Dunlap's Creek
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GRACE - New Britain
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JOURNEY - The Morning Trumpet
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JOURNEY - Resignation
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JOURNEY - Poland
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JOURNEY - Wayfaring Stranger
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JOURNEY - Sweet By and By
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CROSSING - Blooming Vale
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CROSSING - Idumea
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CROSSING - Sweet Prospect
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CROSSING - Shall We Gather at the River
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PARTING - Amanda
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PARTING - Invitation
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PARTING - Parting Hand
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PARTING - Angel band
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